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Bughya · Basīṭ
Tétouan · Anthologie al-Āla, 1990
Sanaa of the day
ṣallū yā ʿibād daʾm ʿalā ashrafi al-warāBasīṭ · Muwassaʿ · inqilāb al-raml
Stations
A way in by mood. Each plays on from piece to piece, across the mizans.
Only inṣirāf
The fast closing sanaat of every mizan
The long shughl
Broad pace, drawn out on tarāṭīn
The bridges
The qanāṭir that carry a mizan to its next pace
Openings
The taṣdīra of each mizan
The noubas
All eleven are entered, texts and recordings, with the two quddāms that stand outside them. Raml al-Māya is the first whose words follow the voice; the others are being timed.
- 01رمل الماية
Raml al-Māyaرمل الماية
145 sanaat · open
- 02الأصبهان
al-Iṣbahānالأصبهان
130 sanaat · open
- 03الماية
al-Māyaالماية
128 sanaat · open
- 04رصد الذيل
Raṣd al-Dhīlرصد الذيل
149 sanaat · open
- 05الاستهلال
al-Istihlālالاستهلال
206 sanaat · open
- 06الرصد
al-Raṣdالرصد
176 sanaat · open
- 07غريبة الحسين
Gharībat al-Ḥusaynغريبة الحسين
128 sanaat · open
- 08الحجاز الكبير
al-Ḥijāz al-Kabīrالحجاز الكبير
200 sanaat · open
- 09الحجاز المشرقي
al-Ḥijāz al-Mashriqīالحجاز المشرقي
141 sanaat · open
- 10عراق العجم
ʿIrāq al-ʿAjamعراق العجم
154 sanaat · open
- 11العشاق
al-ʿUshshāqالعشاق
121 sanaat · open
- بواكر الماية
Bawākir al-Māyaبواكر الماية
40 sanaat · open
- القدام الجديد
al-Quddām al-Jadīdالقدام الجديد
22 sanaat · open
The five mizans of Raml al-Māya
Five movements, each on its own rhythm. Each starts broad and ends fast.
Three orchestras
Fès, Rabat and Tétouan: the three great orchestras of the last century, on the radio, in concert and at soirées. Each sings the same sanaa its own way.