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Bughya · Basīṭ

Tétouan · Anthologie al-Āla, 1990

Sanaa of the day

صَلُّوا يَا عِبَاد داَئمْ عَلَى أشْرَفِ الوَرَى

ṣallū yā ʿibād daʾm ʿalā ashrafi al-warāBasīṭ · Muwassaʿ · inqilāb al-raml

Stations

A way in by mood. Each plays on from piece to piece, across the mizans.

Only inṣirāf

The fast closing sanaat of every mizan

38 pieces · 97 min

The long shughl

Broad pace, drawn out on tarāṭīn

37 pieces · 307 min

The bridges

The qanāṭir that carry a mizan to its next pace

8 pieces · 33 min

Openings

The taṣdīra of each mizan

5 pieces · 35 min

The noubas

All eleven are entered, texts and recordings, with the two quddāms that stand outside them. Raml al-Māya is the first whose words follow the voice; the others are being timed.

The five mizans of Raml al-Māya

Five movements, each on its own rhythm. Each starts broad and ends fast.

Three orchestras

Fès, Rabat and Tétouan: the three great orchestras of the last century, on the radio, in concert and at soirées. Each sings the same sanaa its own way.

Learn

Colophon

Texts, order of the mizans, scores and recordings courtesy of al-ala.ma (صنعات الآلة). Reference recording: Anthologie al-Āla, Ministry of Culture, 1990.

Set in Bouazzi Maghribi, Amiri, Fraunces, Source Serif and Readex Pro.

First draft. Texts and timings await review.